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You are Managing Director...How much input do you have
on the creative side?
I have a publisher and designer working for me that I give quite a free
reign to when it comes to selecting and designing the books we wish to
publish for our own creations. I get involved in the final selection process
and then my designer will seek an illustrator based on a group consenus
to what type of art style we feel the book warrants. I am very particular
about cover designs and will often get involved in the design of these.
Where did your interest in childrens illustration begin and how did
you rise to the position of MD?
I have no formal training in childrens illustrations other than a personal
love for beautiful artwork that achieves a response from both the adult
and the child.
I didn't have to rise to the position of MD as the day I started
the company I was MD, publisher , sales manager, accounts manager, etc
rolled into one. As my company has grown and a team has evolved, I have
stepped back to a more hands on role of running the company.
How are illustration styles evolving?
They appear to be following the trends that appear in TV and movie animations.
Also, illustrators are becoming more imaginative and confident in their
approach to illustrations thru their use of colour and collage.
There appears to be no hard and fast rule to what people want these days.
If it evokes a positive response from the reader, then it is successful.
How does the Australian market differ to those of North America and
Europe?
The Australian market is far more broad minded with regard to the picture
books and subject material published here than what you will find in North
America. The humor is also different to that of North America and Europe.
Another point is that European books tend to have more cartoon orientated
artwork whereas we lean more to realism and quirky.
The North American market also makes use of longer text for young children
than we do.
The colour palette in North America appears to be darker than that used
by Australian illustrators and they make less use of white space and more
frequent use of panels.
Do you have a personal favourite picture book?
I have quite a few actually but heading my list would be;
Stellaluna by Janell Canon
I fell for this book from just one piece of artwork. I hadn’t even
read the story at that stage.
How many titles do Koala publish a year? Of these what percentage
are picture books?
We publish anywhere from 55 - 70 titles a year of which 90% would be picture
books.
We run an illustrator of the month feature - Who is your personal illustrator
of the month from those you have worked with or admire?
Bruce Whatley – Australian (who we have worked with doing our
own publications)
Adrian Reynolds – U.K (who I admire and whose books we co-edition)
Jack Tickle – UK (who I also admire and whose books we co-edition)
And of course Janell Canon - USA
You're about to attend the Frankfurt book fair (Germany). That's a
long way to fly.... what do you get out of these industry events?
The Frankfurt Fair is important to me for three reasons besides me having
the opportunity to catch up with friends and business associates face
to face rather than the faceless phone and email contact.
1. I always go to London prior to Frankfurt to have meetings with UK
publishers that we do the bulk of our co-editions with. Often the artwork
on a title I’m keen on is not ready and the first opportunity I
would see it is at the Fair.
2. To meet with all other publishers I do business with that I don’t
see whilst I’m in London. The primary aim for me at the Fair is
to select titles that I would be interested in for the Koala list and
to follow up on titles we might still be needing to wrap up from Bologna.
3. Hopefully also finding a new company to deal with who has product suitable
for our list.
So will you be attending Bologna?
Yes, this is a very important Fair for Koala Books as we also exhibit
at this Fair which we don’t do at Frankfurt.
You sponser the Koala awards - could you tell us a little about this?
The Koala Awards is a New South Wales based Childrens Choice Awards. It
is run by a committee of volunteers and is a non-profit organisation.
KOALA stands for Kids Own Australian Literature Award. The children both
nominate and vote for their favourite book. We are proud to have been
associated with KOALA as their principal sponsor for almost 10 years.
What childrens book of modern times could you describe as 'classic'
or 'iconic' within its category? What is your all-time favourite childrens
book? (can be past or present)
The Wide Mouth Frog by Keith Faulkner and Jonothan Lambert. This is a
brilliant pop up version of the classic joke about a wide mouthed frog.
We have published this in Australia now for nearly 10 years and it never
stops selling.
My personal all time favourite read is The Lord Of The Rings.
If I were an illustrator wanting to break into the Picture Book market,
what advice would you give me regarding the presentation of my work?
Work should be presented in a professional manner showing a broad cross
section of skills. Possibly in a portfolio and no bigger than A3 size.
What (if anything) turns you off an illustrator?
Over confidence and not willing to work under direction from the editor
and designer of the book.
Also, failure to look at our website to do the most basic research to
see if their art style is suitable for our company.
Do you like to see sketch books and work in progress?
Not particularly.
Are you happier considering author/illustrators or is it more challenging/enjoyable
matching the right illustrator to the right text?
It doesn’t really make that much difference, for if the person has
written a good story and they are a competent in their illustrations,
it makes it easier to work with one person.
It is however very satisfying to find an illustrator who illustrations
convey exactly what the author had intended and they go on to doing a
number of books together.
What would you be doing if you weren't Managing Director of Koala?
Retired……….. I would then be able to spend more time
learning and honing my skills as a trout fisherman, enjoying my wine collection
and reading my books.
However I will always remain in a position whereby I can continue helping
young children, especially the sick and disadvantaged.
Our thanks to Gordon Jackson of Koala Books for providing
such an interesting interview.
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